An author wrote to me last week with this advice: “There’s no substitute for finding your voice and writing brilliantly.”
While he seemed to think my travel memoir had potential, he told me, very frankly, that I was spending too much energy figuring out the publishing industry when I should be focusing on writing a fabulous book.
This author, who I connected with online (another reason writers should use Twitter), gave me permission to post snippets of his advice here, but I’m going to leave him anonymous because, well, since this isn’t a newspaper story, I can. He wrote:
I’ve become dismayed by the presence of the advice industry on Twitter and the Tweeters’ corresponding blogs. I find that much of it presents the whole business as if there’s some secret formula or key that will unlock the world of publishing success. And it preys on the dreams and aspirations of unpublished writers, most of whom will never be published. I don’t think that advice is helpful, and in most cases it is harmful. In your case, write a compelling book with an original voice and you will find an agent and get it published.
There’s no great mystery to publishing.
But I need to learn about the industry to get my book published, I argued. I need to know how to best present my manuscript, through a query letter, a proposal, whatever, to convince an agent to represent me. His response?
Agents almost never find clients at conferences or from the slush pile of submissions. No guidelines or tips on writing cover letters are going to help you get a good agent… Agents get clients usually by seeking them out. They see an article somewhere written by a young promising writer and they track the writer down. Or they get a referral from an editor, current client, or writer they respect. Most good agents — and we’re talking about a handful of agencies here — do not find clients in the query pile. It happens, but that’s the exception that proves the rule.
Take it or leave it — This is only one guy’s opinion (I warned you this would be a kick in the butt). He wasn’t ruthless enough to leave me hanging hopeless. He offered to look at my manuscript when it’s complete, and if he likes it, pass it along to his agent, just like an established author did for him years ago. He continued:
Only two things matter. Have something to say. Say it with a clear and distinct voice. Doesn’t matter if it’s memoir, fiction or nonfiction. This isn’t easy, of course. You’re writing about experiences in five or six different countries, but there needs to be one clear idea that drives your narrative. That central idea can be you, or it can be an idea about development or health or something Africa-related. But that’s the key. You need to be able to tell me succinctly what your book is about.
Harsh? Yes. Just what I need right now to keep me motivated? You bet.