I’ve never been the kind of journalist that can bang out a lead. Sometimes it’s easy to crank out the first paragraph, but more often than not I write the rest of the story and return to the lead afterward, crafting it right on deadline.
So it shouldn’t be a surprise that I feel challenged by the first chapter of my book. The other chapters? They’re moving along quite quickly now. But every time I return to Chapter One, I feel a little… intimidated.
Chapter One is important because it contains the first ten pages of the book, which give readers, as well as publishers and agents, reason to keep reading or skip the story altogether. (Check out this post on the Murdock Editing bog about re-thinking your first ten pages.) It’s my opportunity to pump a lil’ theme into the book, give my adventure purpose and hit the reader with my voice right off the bat.
So I’m embracing the technique that’s always worked for me in journalism: I write what I can, whatever inspires me on a particular day, which often means avoiding the first chapter. I’m writing this book in pieces, slowly weaving lots of short stories together to form one themed book. This has become one of my favorite parts of writing; Every morning, I wake up excited and ask myself: What scene do you want to write today?
Part of the reason this tactic works for me — aside from capitalizing on whatever inspires me that day — is because I’ve already outlined the manuscript.
But it’s time for me to write Chapter One. Partly because my critique group keeps asking for it. “We’ve read the middle of the book!” they say. “Give us the beginning!” But really, I need this push. I’ve got to get down on paper the meat of the manuscript, a basic explanation of why on earth I decided to leave my reporting job and go to Africa, alone.
So I’m finally writing the lead.
Anybody else out there have trouble with the first chapter? Do you save it for last, or hunker down and write it right off the bat?